Showing posts with label memphis bleek. Show all posts
Showing posts with label memphis bleek. Show all posts

Saturday, October 1, 2011

What if Roc-A-Fella Records had never Split?

By The Voice
Hip Hop Vibe Staff Writer

Sixteen years ago, Jay-Z was a street hustler trying to go legit. He had teamed up with Damon Dash and Kareem "Biggs" Burke to launch his own record label. Jay-Z had attempted to get signed by major labels, but none of them saw his vision. The trio's hail mary attempt was starting their own record label, Roc-A-Fella Records.

In 1996, Jay-Z released Reasonable Doubt and Roc-A-Fella Records took off. Memphis Bleek also signed to the label, while Jaz-O, a mentor, of sorts, to Jay-Z, and Sauce Money were expected to. For one reason or another, they never signed to the label. Roc-A-Fella Records soon established a distribution deal with Def Jam and hit it big.

Before the end of 1997, Jay-Z had a platinum album under his belt and was quickly becoming a big name in hip hop. By 1998, Jay-Z became the biggest rapper on the planet, propelled by his "Hard Knock Life" single. Soon, Def Jam was using Jay-Z to spin off the careers of DMX and Ja Rule. Because of Jay-Z's initial flame, both rappers went on to achieve much success. Back at Roc-A-Fella Records, the label added several rappers from Philadelphia, which became State Property.

When the 2000s emerged, Roc-A-Fella Records had become the biggest hip hop label in the game. Every rapper in the game wanted to be a part of the movement. If an artist did not want to sign to the Roc, they wanted a beat from one of the in-house producers. Due to the success they were having, Damon Dash decided the company should branch out, which led to the 1999 launch of Rocawear. Corporate giants were watching Roc-A-Fella Records, as they had become much more than an independent record label.

Most independent record labels were founded when an artist had trouble getting signed. After creating one hit, the label gets picked up by a bigger label and the star makes hits. Roc-A-Fella Records bucked the trend and continued to sign more artists. Not only was Roc-A-Fella Records signing artists, they were also helping artists out with their movements. Beanie Sigel created State Property Records under the Roc, Memphis Bleek's Get Low label was founded in 1998, under Roc-A-Fella Records.

Roc-A-Fella Records' biggest move came in 2001, when Cam'ron was signed. Being from Harlem, Cam'ron knew Damon Dash and the two were friends. Cam'ron was also the head of his own label, Diplomat Records and he came to Roc-A-Fella for a deal. Unlike other artists signed to Roc-A-Fella, Cam'ron had buzz before signing to the label. Previously, Cam'ron had a deal with Sony Records. But, in 2002, he had the biggest hit of his career with "Oh Boy" and his only platinum album, to-date, Come Home with Me.

By 2003, it was clear Roc-A-Fella Records was much more than hip hop, with a film division, a clothing line, subsidiary labels, and a liquor brand. The major corporate players had watched long enough and they decided it was time to make an offer. Def Jam offered to buy complete control of Roc-A-Fella Records and offer an executive role to Jay-Z. Already worth well over $100 million, Jay-Z would have been well without the role with the company.

However, a behind the scenes beef with his partners prompted Jay-Z to move with Def Jam. But, had their not been any beef, Roc-A-Fella Records could have either turned Def Jam down, or made a counter-move. Either way, the label could have continued to run the game. Had Roc-A-Fella Records turned Def Jam down, they could have easily established a new deal with another label, which could have been much more lucrative.

A bigger focus could have been placed upon the sub-labels, building their stars. With Kanye West emerging, the Roc-A-Fella movement could be what the Cash Money movement currently is. Cash Money Records has big names, such as Bow Wow and Lil Wayne and is also the head of the Young Money movement. It could have been the same way for Roc-A-Fella Records and Jay-Z could have been just as rich, if not richer, had the partners been able to stay together.

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Saturday, September 24, 2011

Memphis Bleek Bootleg Kev freestyle [VIDEO]

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Tuesday, September 20, 2011

Memphis Bleek explains long Hiatus

By The Hip Hop Writer
Hip Hop Vibe Staff Writer

Five years ago, Memphis Bleek announced his takeover of the rap game. The first step in the takeover would be the release of his album, The Process. Over the past five years, the album has missed several release dates. Memphis Bleek recently explained all of this.

Memphis Bleek said he has been steadily working over the past five years. Six years have passed since he last released an actual album. While he has not released an album, Memphis Bleek has released a number of mixtapes. On the New York streets, Bleek is still among the most-popular rappers out.

Last year, Memphis Bleek established a deal for his Get Low imprint with Mass Appeal Entertainment. Memphis Bleek feels it is important to step out of Jay-Z's shadow. Speaking on his album, Bleek said he has been carefully crafting the album so it is his best release possible. Memphis Bleek said the single that gains the most acclaim and radio play will spawn the album.

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Saturday, September 3, 2011

Beanie Sigel speaks on Prison Stint

By The Hip Hop Writer
Hip Hop Vibe Staff Writer

Last year, T.I.'s prison sentence made national news and it angered Beanie Sigel. At the time, Beanie Sigel had been taking shots at everyone. Initially, his only problem was with Jay-Z, but he soon dissed Memphis Bleek and Kanye West. When the news began reporting on T.I. he went at him, also.

Before so many rappers were going to prison, Beanie Sigel was behind bars, in 2005. During this period of time, Beans had also left Roc-A-Fella Records. In spite of everything going on, Beanie Sigel still managed to receive moderate radio play.

Now, in a more peaceful state of mind, Beanie Sigel opened up on his time behind bars. Beanie Sigel said he left his rap persona behind when he went to prison. Because of his stature, he was embraced by fellow inmates. Many prisoners had been behind bars for years, so they did not know what was currently going on, Beanie Sigel updated them.

Beanie Sigel said the time in prison was both good and bad. It was good because he needed a break from the game. However, Beanie Sigel could have come up with different ways to take his break. Still, he confirmed the stories about prison were true. Where most celebrities do not bode well in prison, Beans did and said he got some of the best sleep of his life while in prison.

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Friday, September 2, 2011

Busta Rhymes speaks on "Tha Carter IV"

By The Hip Hop Writer
Hip Hop Vibe Staff Writer

On Tha Carter IV, Lil Wayne reached out to a couple of artists he had not worked with in a long time. Lil Wayne last worked with Busta Rhymes on Tha Carter III. With a three year gap in collaborations, Lil Wayne was able to land Busta Rhymes for the "Outro."

Busta Rhymes was excited to be a part of Tha Carter IV. With the album being the biggest hip hop album of 2011, Busta Rhymes knew he would benefit. However, Busta Rhymes had no idea how big of a role he would play on the album.

Usually, when an artist releases an album, they are the first and last voice a listener hears. The exception was on Jay-Z's Hard Knock Life album, when Memphis Bleek rapped the "Intro." A new exception is on Tha Carter IV when Busta Rhymes has the last verse on the "Outro," which is a posse cut.

Speaking on this, Busta Rhymes said he was surprised that the song ended that way. Busta Rhymes had no idea Lil Wayne was going to end the album in that manner. Because he, Nas, Shyne, and Lil Wayne did not record the track together, Busta Rhymes had no idea he would be at the very end.

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Thursday, September 1, 2011

Memphis Bleek - "Thank God"

The Get Low honcho is back with another new track. On his latest track, Memphis Bleek is speaking to the man above. The song is called "Thank God."

Listen to "Thank God" by Memphis Bleek below:

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Monday, August 29, 2011

Game and Lil B end feud on Twitter, Memphis Bleek now Wackest Rapper of All-Time

By The Hip Hop Writer
Hip Hop Vibe Staff Writer

Earlier this month, Game was asked who he thought was the wackest rapper in the game. Without hesitation, Game said he felt newcomer, Lil B, was. His reason for saying Lil B was the wackest rapper was because of his I'm Gay album.

While he was brutally dissing Lil B, Game said he did not want the rapper to take offense. Instead, Game wanted Lil B to use his words as advice and improve. Lil B responded by calling Game a legend, but irrelevant.

After hearing Lil B's response, Game threatened physical harm and even dissed him on "Martians vs. Goblins." Despite being dissed on the album, Lil B recommended the album. Game discovered this and gave Lil B props.

Upon learning Lil B told fans to check out The R.E.D. Album, Game said he was a stand-up dude and for that, Memphis Bleek was now the wackest rapper in the game.

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Wednesday, August 24, 2011

Game explains Feud with Jay-Z

By The Hip Hop Writer
Hip Hop Vibe Staff Writer

Throughout his career, Game has always had issues with Jay-Z. At first, many felt it had to due with Game's previous feud with Jay-Z's protege`, Memphis Bleek. Game was signed to Get Low Recordz, which shared the same name as Bleek's Get Low Records.

Earlier this month, Game explained why he and Jay-Z do not get along. Game said Jay-Z was overly cocky when he met him for the first time. Now, Game is providing more details on what happened between himself and Jay-Z.

Game and Jay-Z first met seven years ago, while Game was still a part of G-Unit. Having grown up off Jay-Z, Game was excited to meet him. He asked Jay-Z for advice and was basically given the brush-off.

In response to Game's question, Jay-Z told Game most of the new rappers will not last anyway, so they need to try another lane. Ever since Jay-Z told him this, Game said he takes shots at the president of rap. For years, he has been hoping to bait Jay-Z into a full-fledged feud.

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Monday, August 22, 2011

Memphis Bleek - "Been a Minute (freestyle)"

The Get Low honcho is back in the booth. Last month, Memphis Bleek released several freestyles. Now, he is back on his grind with another. Memphis Bleek's newest freestyle is called "Been a Minute."

Listen to "Been a Minute (freestyle)" by Memphis Bleek below:

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Monday, August 15, 2011

Memphis Bleek - "Road 2 Riches"

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Thursday, August 11, 2011

Memphis Bleek - "Closer (freestyle)"

Memphis Bleek is still hard at recording new music, his second release in as many days. The new release from Memphis Bleek is a freestyle.

Listen to "Closer (freestyle)" by Memphis Bleek below:

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Wednesday, August 10, 2011

Memphis Bleek ft. Redman and Dynasty - "Control"

Memphis Bleek has been hard at work recording new music. For his latest song, "Control," Bleek has reached out to Redman and Dynasty.

Listen to "Control" by Memphis Bleek ft. Redman and Dynasty below:

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Friday, July 29, 2011

Memphis Bleek - "By Myself"

Throughout his career, Memphis Bleek has shared the spotlight. Regardless of how well his music does, it seems as if Memphis Bleek is never given a fair shot of his own. Still, he continues to push.

Without the help of his crew, Bleek established a new deal for Get Low Records and has other ventures going. His new song, "By Myself," is indeed properly titled.

Listen to "By Myself" by Memphis Bleek below:

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Tuesday, July 12, 2011

Justin Case talks New Music, Business, and the Industry

By The Hip Hop Writer
Hip Hop Vibe Staff Writer

Much more than an artist, Justin Case does a little of everything. During the late 1990s, Justin Case recorded music for independent record labels. After a tragic incident, Justin Case left the music industry, before returning to create his own record label.

In 2000, Justin Case launched his own label and began working with Redman through Icadon. Now, eleven years later, Justin Case is one of the biggest names on the underground circuit. Having been around for years, he has several ventures going and they are all going strong.

Through his affiliation with Redman, Justin Case became big in merchandising.

Currently, Justin Case is an artist, A&R, manager, and a full-fledged businessman. Justin Case works with all the names, both big and small and now he is pushing his own music career. While pushing his career, he is still successfully running his business. For years, Justin Case has been successful in the game and now he sat down for an exclusive interview with Hip Hop Vibe.

Read the full interview below:

How far have you come from where you started to where you are at now?
Oh man, it took me ten years. I started off wanting to be an artist, but I did not know any business. But, I learned the business in seven to ten years and now things are taking off. Back then, I was just there, running around. Now, it is all business and I'm getting my stuff together. I came a long way now. I came from nothing to going all around the world. Still, I have a long way to go.

Where did the moniker, 'Dollarmentary,' come from?
Dollarmentary. My name was Stack a Dollar for years when I was on the streets. My friend gave me a book, which was named Stack a Dollar and I ended up taking that name. But, as I grew, I ended up outgrowing my name. Everybody had the word 'Stack' in their name. So, when I was putting together a DVD for myself, I decided to name myself Dollarmentary and put out my first mixtape. The name stuck.

Last year, I toured with Snoop Dogg and he inherited my name. I've called myself Dollarmentary for years and now Snoop Dogg is calling his album Doggumentary. It's all good though, I love being a trend-setter.

Can you talk about your record label?
That's another story. We got Idolize Music (with Vinny Idol) and Space Cadets. Redman sort of oversees Space Cadets, because it started off his vibe. Working with him led to me starting the company. My style changed while I was working with Redman. He helped me to calm my music down and Space Cadets has become my company and now we are worldwide. Various countries and states are following the music and we have a compilation album coming out. I put out a mixtape in 2007, when I was in Amsterdam and that release solidified the movement.

Space Cadets is down with High Times magazine, 4/20 magazine, and all the 4/20 social networks. We're down with everyone in that circuit. We also linked up with new producers and we have a team which spans from Canada down to Brooklyn. Currently, we are trying to link up with Europe, Germany, United Kingdom, and then all of the way back to the United States. We have no major machine behind us, we are independent. After this, we will be moving on to the next project.

When did you have "that feeling" when you knew you made it?
It hit a while ago, but people do not realize this life is full of up and downs. I call this the glass door, you can be so close and can see everything, but you still cannot get it. From the outside, it looks nice, but we still want to go farther. Even down to this interview, I have "that feeling." When people tell me they like my movement, it feels much better than making money. I've been doing this before I even thought rap would get me rich. I used to hustle on the streets, so I am used to having money.

Everyone thinks they can make it when their videos hit MTV. I could have been on MTV, but I decided to take another route. Many of the artists under me want to take that route, but I do things differently from the others. Sometimes, I have to watch other people's movement to see what they are really about.

What was your role with MTV a few years ago?
We had a couple of things going on with them. I never had a real deal with them, my man Rahmon Dukes, who started 'Mixtape Mondays,' hooked me up. I used to go over there and work with him up there at the offices at MTV. I have a street team in New York and we used to work right in front of the MTV offices, selling our albums, going into the building and they sent people out, so we did a show with them.

MTV taped us for a full year and we did interviews for a year. The show never really came out, but it was available online. We signed contracts and were close to making things happen. I've been trying to get copies of the work to show to potential partners, but MTV won't release it. Even the producers who filmed us don't have access to the footage.

Did that situation make you shy away from working with bigger companies?
Not really, I'm an all-forward person. I took it as an opportunity, MTV wanted to work with us. At the end of the day, I don't think it was MTV. I believe it was someone behind the scenes who blocked our run. It was someone who knew our deal with MTV is what would have put us over the top. At the end of the day, I believe MTV will release the footage. I still go all over the world doing what I do, but I love the freedom that comes with being independent. My man still works at MTV, by the way.

How many artists do you have under you and affiliated with you?
Right now, I have four official artists and through Vinny Idol, we have six groups. We have Young N.A from the Bronx and a few other rising artists. The Penthouse Boys have an album out. I'm pushing Geda. K  formerly from Roc-A-Fella Records through Memphis Bleek's Get Low Records. Geda is not signed to me, but I helped out with A&R and executive production on his album with AK Chop. His project is coming through Idolize Distrubution. Former "106 & Park" champion Big Will, from St. Louis.

Let me think of some more, we also have AK Chop, The Penthouse Boys from the Bronx, Naturally Amazing from the Bronx, DJ MoFire, who did all my past mixtapes until 2007. We have Icadon is signed to Redman's Gilla House, but he is affiliated with Idolize Music. We have Incredible Barz, Space Doggz, ABS, GBA, Young Hustle, Young Cakin, and Young Dula. The last three make up TPM, a group. We also have Young Flames, these are all young guys who are working with me. Another group we have is Pinky's Up, they're out of Brownsville, Brooklyn. Also, Myster DL.

How many independent record labels are you affiliated with?
Well, I am focusing on Idolize Music and my own Space Cadets, Icadon has his own label, called Johnny Pump Records and I help him out over there, but that is his own company.

Will you have any big names on your next release?
My next release is called Last Train to Amsterdam. I got the Coffee Brothers and I got J. Smitty from Face Mob, they work with Scarface. I got Embassy Elite and they will be on the project. They are based out of Brooklyn and they put together my last two videos. In the near future, people will be hearing a lot out of them. As of now, that is it, but there are more people, but I'm still waiting to receive their verses. Other than that, I got Redman on the Space Cadets mixtape.

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Sunday, May 8, 2011

Memphis Bleek - "Grind"

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Friday, April 8, 2011

Memphis Bleek - "Serato & Blunts"

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Thursday, February 10, 2011

Memphis Bleek still working on "The Process"

By The Hip Hop Writer
Hip Hop Vibe Staff Writer

For over five years, Memphis Bleek has been trying to create an identity outside of Jay-Z and Roc-A-Fella Records. Ever since the fall of 2006, Bleek has been working on his album, The Process. He has worked with various artists and producers on the album.

Memphis Bleek was scheduled to release the album in 2007, 2008, 2009, and 2010. Because of label issues and creative changes, the album has yet to be released. Last year, many Memphis Bleek fans had stopped counting down for the album.

While some fans may have given up on Memphis Bleek, he is still working hard. The Process is still on the way and Memphis Bleek released a new single from the album. The latest single is called "Got Damn, I'm Fly."

Recently, Memphis Bleek released a video for the "Laced Up" single, which will also be released off The Process.

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Monday, June 14, 2010

Fabolous investigated for Murder of G-Baby

New York rapper, G-Baby, was said to have a longstanding feud with Fabolous. According to G-Baby's mother, their feud was supposed to be resolved. With no more issues, Fabolous offered to hook G-Baby up as his opening act for a local concert. When G-Baby was shot, he was said to be heading over to Fabolous' car, which was parked across from his house. But, as he approached the car, he was shot three times and killed on sight.

Long before he was ever a rapper, Fabolous was on the streets of Brooklyn, New York. Like many other people from the borough, he witnessed crime on a daily basis. With no male figure in his life, Fabolous roamed the streets. Because his family was poor, Fabolous sold drugs for a living. While selling drugs, he made enemies.

G-Baby was signed to Memphis Bleek's Get Low label and tried to run when he realized an attempt on his life was being made. However, as he ran, the gunmen chased him down and killed him. G-Baby has become the second member of the Get Low crew to die this year. Ten people witnessed the killing. It was said the rapper ran in front of Fabolous' van and collapsed to his death. Fabolous' men allegedly had the body moved so Fabolous and his crew could vacate the premises. Currently, Fabolous is under investigation by the NYPD to see if he had a role in the shooting.

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Wednesday, May 12, 2010

Memphis Bleek to focus on Himself

Throughout his career, Memphis Bleek has been known as the sidekick of Jay-Z. Each move that Jay-Z has made has been witnessed by Bleek. Their relationship goes back a lot longer than their time in the music industry. Jay-Z spent his youth as a hustler on the New York streets and he gave Bleek a chance to work beside him.

Jay-Z maintained his street mentality as he took over the music industry with Roc-A-Fella Records. In a matter of years, Jay-Z took his $100,000 and turned it into $50 million by 2001. More business deals were closed and Jay-Z became the multimillionaire that he is today. Meanwhile, Memphis Bleek remains around the $50 million mark.

In the past, Bleek said that he would never leave Jay-Z's side because of all that he has done for him. Despite this loyalty, Jay is a part of the opposition. Memphis Bleek has set up a deal for his Get Low label and Jay-Z now has his Roc Nation label. J. Cole is now his sidekick even though Bleek still tours with Jay-Z. However, as his new album nears, Memphis Bleek's focus is becoming the king of New York.

During Jay-Z's heyday, he was considered by many to be the rap king of New York. Even the members of his team were relatively popular. His music dominated the charts and every album was met with praise and a platinum plaque. Throughout this time, Memphis Bleek was considered the number two man. When Jay-Z retired, he stepped aside for Bleek to become the king of New York. It was then that Memphis Bleek signed some artists to Get Low Records and released M.A.D.E.

Apparently, it was not Memphis Bleek's time because the album flopped. In addition to that album bombing, his next album, 534, also had low sales and one notable single. Now that he is own his own, Bleek is confident that he will take the rap game. He has been working on The Process for years and it is set to come out before the end of this year. Bleek released the first single, "Still Ill," early in the year and it became a minor hit for the rapper.

Following the release of his album, Memphis Bleek plans to shift his focus to adding artist to his Get Low label. Once he adds more artists to his label, Memphis Bleek wants to release another album that will shine his light onto them. Bleek has a plan to make him into an equal to Jay-Z, Diddy, and 50 Cent. Memphis Bleek hopes to be to the 2010s what Jay-Z was to the late 1990s and the 2000s. In the past, he said that he did not want to rival Jay-Z. Despite those statements, Jay-Z has often told him to go for what he wants.

Taking heed to Jigga's advice and the chance to become an icon, Memphis Bleek plans to begin focusing more on himself, as opposed to Jay-Z to make himself into the biggest rap act on the planet. With the current state that hip hop is in, someone needs to step up and assume leadership.

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Thursday, May 6, 2010

The Rebirth of Roc-A-Fella Records

Last year was the worst year in the history of Roc-A-Fella Records. The label had built a reputation for making hits and the legacy was just beginning. Many people felt that the label would have a history rivaling that of Def Jam. However, when money came into play, the Roc just did not add up. In 2003, Jay-Z was offered the head title at Def Jam and Dame Dash felt that he should step down at Roc-A-Fella first. Wanting both, Jay-Z removed Dash from the company.

For years, Jay-Z and Dame Dash had served as a one-two punch for Roc-A-Fella Records. Jay-Z was the star and he publicized everything Roc. Meanwhile, Dame Dash sat back in the office and handled the major deals. There were multiple times when the roles were switched. Despite Jay-Z having the primary role of franchise player, he could step into the executive role when needed. Dash could also step out into the limelight when he had to.

Of course, he would never admit to it, but Jay-Z liked it better with Dash on his team. With Dame gone, all of the heavy lifting was on him. Every move that was made for the Roc was made by Jay-Z. Because of the fact that he had to juggle the business and the spotlight, Jay-Z sat back and watched Roc-A-Fella Records crumble. While he was great in some aspects, promotion was not one of them.

During Jay-Z’s time as the sole head of Roc-A-Fella Records and running Def Jam, the only artist to release any notable music from the Roc was Kanye West. Then, in 2008, Jay-Z worked out a deal with Live Nation, a concert promotions company to create Roc Nation. Jay-Z would sign a one-album deal with Atlantic Records for himself. Meanwhile, he would reach a distribution deal with Sony for the rest of Roc Nation.

Because of Jay-Z’s departure, Beanie Sigel, Memphis Bleek, and Freeway left the label. Kanye West would soon follow. Last year, Jay-Z celebrated the critical acclaim and platinum plaque that came after the release of The Blueprint 3. While all of this was going on, Dame Dash spoke on the status of the label. In September, he said that he would not mind going back to the Roc. It was a shame that he left it the way that it was.

As recent as last month, there were rumors of Jay-Z and Dame Dash reuniting to revive Roc-A-Fella Records. The two, alongside other Roc-A-Fella members met at a restaurant and reportedly talked about bringing the label back. Following the top-secret meeting, Jay-Z did not speak on what happened. Dame Dash, on the other hand, put up the Roc-A-Fella sign. One month later, he has the label back in business and with Def Jam again.

The initial plan was to revive the label with Jay-Z, however because he is so wrapped up in the on goings of his new label, he had to turn Dash down. Without Jay, the other core members also refused to reunite for the cause that is Roc-A-Fella Records. In the time since he was ousted from the label, Dame Dash has made many connections. These new connections are rappers who never quite made it, among them is Curren$y.

Dame Dash has decided to rebuild Roc-A-Fella Records and center them on Curren$y. There are many other artists that are signed to the label, but Dame wants to start out with the New Orleans rapper first. The comeback that Dame Dash is trying to pull off is not a rarity by any means at all. In the late 1990s, Suge Knight attempted a similar comeback with Death Row Records. By 1998, all of the core artists were gone, so he brought in a new crew that failed miserably.

However, Suge Knight was a career criminal that used his money, size, and influence as a way of getting what he wanted. Once Dr. Dre left Death Row and Tupac was dead, there was no reason for any of the top artists in the game to go to Death Row. But, Dame Dash has remained one of the sharpest record executives in the game. Artists old and new could benefit from having Dash in their corner and the Roc-A-Fella name behind them.

Effective immediately, Roc-A-Fella Records is back in business.

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